the sapphire domes must be perfectly machined on sides so as not deform the numbers and many difficult was to create the lightest aluminium domes possible - in this case we managed to hit 0,58g by machining them right down to a thickness of 0,28mm.The Frog is special, the Frog is rare...we'll only craft 32 movements this season: a Hamilton Ventura watch limited edition of 12 pieces in black titanium (with green gold rotor) and 20 pieces of a non-limited titanium version (with blue gold rotor)."Press ReleaseMB&F presents Horological Machine No3 Frog.
Haute horlogerie is (usually) an extremely restrained and serious business; however among Maximilian main goals in creating MB&F ended up being to bring a child's sense of awe and sense of playfulness into high-end watch.There isn't any doubting that with the HM3 Frog, MB&F have certainly achieved that aim ...and much more! The replica Hamilton Ventura watch protruding eyes from the (amphibian) frog enable it to see in many directions and never have to turn its head.The bulbous domes of the HM3 Frog possess the opposite, but believe it or not important,
The outcomes speak for themselves.The contrasts of matte with highly polished suces, titanium with sapphire, straight lines with seductive curves and rigid forms with articulated arms endows Horological Machine No4 with a life and vibrancy that sets Ebel 9240L70.6360 apart from anything that has ever gone before.HM4 Thunderbolt is the quintessential machine as three-dimensional kinetic art.Rupture in Art, Rupture in WatchImpressionist paintings scared classicists and were greatly misunderstood.
MB&F's Horological Machines scare classicists and are greatly misunderstood.Horological Machine No4 is not likely to change that, but the rupture with traditional watch is so complete it allows HM4 to become appreciated for what it's, i.e.raw, unfettered three-dimensional kinetic art.Before 1800s, art was fairly straightforward: painters Ebel 9240L70.6360 watch did their finest to duplicate the things they saw and their skill was judged on how closely they copied reality, with little latitude allowed for any brush-stroke or two of emotion.
